![]() Each input channel has a 4-band parametric EQ, and the high-pass and low-pass filters are more versatile from the four filter types. The Midas digital equalizer features full inter-position control, which reproduces the unique phase shifting of the world's popular analog mixers. Adjust the analog gain to get the "warm" that Midas is known for, and then trim the input to the desired size with digital gain. One is the remote control of the excellent Midas microphone amplifier and the other is the digital gain. PRO1 provides two input gain controls per channel. Users who are accustomed to using analog consoles or who are accustomed to using digital mixers will not find it difficult to use the large multi-color LCD channel selection buttons to control the console. Manipulation is designed to be a logical "signal channel" sequence and can be easily identified by their relative position. The detail board is a vertical channel strip that has almost the same design as PRO2, 3, 6 and 9. The overview screen contains all the important information at any time (all the volume meters, push Sub position, mute and solo). Press the “HOME” button (just to the left of the user-assigned control) to display the summary screen instantly. The visual feedback of the whole system is provided through this display. PRO1's performance in this regard is outstanding, because many other conventional console displays are difficult or even impossible to operate in high-brightness environments. The high-resolution display is clearly visible even in direct sunlight. All busbars can be connected in stereo (except for the mono bus).Īll audio routes can be routed to multiple destinations, and the console format can be reconfigured to live live broadcasts. The matrix bus comes from the input channel, grouping, so it can also be used as 8 additional auxiliary buses (monitor bus and FX effect transmission), providing 24 busbars for monitoring mix (plus left and right and mono bus). The 48 input channels are routed to 27 mixing buses, which include 16 user configurable auxiliary buses, which can also be mixed, subgrouped or mix minus grouped, in addition to 8 matrix buses. As long as the network I/O hardware has enough mic inputs, these 8 aux returns can be used as FX processor internals for PRO1 or as an additional microphone channel. In addition to the 40 main input channels, the PRO1 has 8 auxiliary returns with a 4-band MIDAS parametric equalizer and insertion point. Sound engineers familiar with MIDAS can download existing display files to PRO1, no matter which MIDAS digital mixer can be created and continue to work. For audio engineers who are new to MIDAS digital, you can relax and enjoy the sampled synchronous audio quality of PRO1 and easily control it. The PRO1 is the first independently operated MIDAS digital mixer that sets a new paradigm for portability and performance for compact digital mixers. The PRO1 is a new breakthrough in the MIDAS digital mixer with a new lightweight aluminum frame construction. UK Midas PRO1 digital mixer, network remote control digital mixer
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